Fairy Tales: Critical Theory and Archetypal Interpretation

The question of how to read a text has been asked and argued by theorists since the first work was offered to an audience for interpretation. Questions of what should be considered separable and inseparable from the review of the text are many, the stronger of which have developed into schools of critical theory. The initial debate in reading a text is over the precedence of form versus content. Though Aristotle began this debate, it became publicly popular in the 20th century because of the cultural critic Susan Sontag. Taking a firm stance, Sontag argued for the supremacy of form, … Continue reading Fairy Tales: Critical Theory and Archetypal Interpretation

Modern Fairy Tales: Archetype vs. Stereotype

Since 1923 The Walt Disney Company has been making animated films, building theme parks, and accessing all other forms of entertainment. Much of the Disney Company’s box office success has come from their re-visioning of fairytales into animated events. Typical childhood memories include Disney’s renditions of Cinderella, Sleeping Beauty, Pinocchio, and many others. Marie Louis Von Franz describes the position of fairy tales in society in the following statement from The Feminine in Fairy Tales: Fairy tales express the creative fantasies of the rural and less educated layers of the population. They have the great advantage of being naïve (not … Continue reading Modern Fairy Tales: Archetype vs. Stereotype