Man Ray: Nude Dialectics

The Dada movement was founded on anti-war politics and was a direct response to the established standards and manifested these ideas by responding to accepted concepts of art with the creation of anti-art cultural works. The goal was to reveal meaning what was being discarded as meaningless in the modern world. Continuing after WWI, Surrealism evolved from original Dada manifestation. Defined by Andre Breton’s Surrealist Manifesto in 1924, Surrealism is: Pure psychic automatism, by which one proposes to express, either verbally, in writing, or by any other manner, the real functioning of thought Dictation of thought in the absence of … Continue reading Man Ray: Nude Dialectics

Existentialism and Post-Modernism: Value in Lingering

Exhaustion, deconstruction, existential uncertainty–these are some of the qualities associated with post-modernism. Even the name suggests passing from a known state into ambiguity. In “Myth and postmodernist philosophy,” William Doty defines the challenges of postmodernism and mythology, while also provoking the complexity of interaction between the two perspectives as they engage in a conversation with the philosophical tradition. Specifically, these interactions are defined by Doty’s article, synthesized by the question of the role of narrative in philosophy, and actualized by Albert Camus’ 1942 essay “The Myth of Sisyphus”, and Jorge Luis Borges’ short story “The Maker,” published in 1960. The … Continue reading Existentialism and Post-Modernism: Value in Lingering